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Netflix’s animated Twilight series Midnight Sun gets two seasons for a single book

Liv Altman
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Hollywood has a habit of returning to the scene of its biggest hits, but few franchises have walked back into the same opening chapter as often as Twilight. The animated Midnight Sun, which retells the first book through Edward Cullen’s eyes, now has Netflix‘s commitment for two seasons before a single frame has reached the service. The second season, not the vampire and not the cartoon, is the real news.

Netflix rarely works this way. The streamer usually orders a show one season at a time and waits for the numbers, and upfront multi-season deals go to projects it already trusts. What it trusts here is not a script anyone outside the production has read but an audience that never left: the original film is back among the most-watched movies on Netflix in the United States, close to two decades after it opened.

The confirmation came from the seller

Netflix did not announce the order. Lionsgate did, on an investor call. Kevin Beggs, chairman of the Lionsgate Television Group, disclosed it during the studio’s earnings call on November 5, as What’s on Netflix first reported. “That’s a 2-season adult animation order at Netflix,” Beggs said. “Stephenie and her team are very hands-on, really running the process along with us at Netflix.” He called the series a “continuation and expansion” of the Twilight universe and said the studio has “high expectations.” On the same call, film chief Adam Fogelson described the fan base as “desperate for more authentic content.”

That is a studio talking to its shareholders about a franchise it owns, and it reads best that way. Beggs also told investors that getting shows back on a predictable timetable is “becoming more and more important,” which explains the appeal of a second season locked in before the first is finished: animation takes years, and a renewal gap would cost the momentum Lionsgate is selling.

Not a reboot, a third pass at the same chapter

Some coverage, particularly in Spanish-language outlets, has framed this as a restart of the saga. It isn’t one. Midnight Sun, the companion novel Stephenie Meyer published in 2020, walks back through the events of the first Twilight book from Edward’s point of view. It is the franchise’s third run at its own opening story, after Life and Death: Twilight Reimagined, the 2015 version that swapped the genders of Bella and Edward.

The book carries a troubled history of its own. Meyer stopped writing it in 2008 after a dozen draft chapters leaked online, then shelved it again in 2015 when E. L. James published Grey, the Fifty Shades story retold from Christian Grey’s side, a moment Meyer described as “a literal flip the table moment.” The series also keeps a thread to the films: Wyck Godfrey and Marty Bowen of Temple Hill, the company that produced the original saga, are executive producers.

What two seasons for one book means

Splitting a single novel across two seasons tells you the pace the show intends. Midnight Sun runs to 658 pages, considerably longer than the book it retells, and critics were not kind about that length. The Guardian called it “chronically overwritten.” Television can absorb an inward, slow narrator better than a two-hour film could, and the “adult animation” label points the pitch at readers who were teenagers when the films opened. Whether the second season stays inside the novel or moves past it, nobody has said.

There is an older problem waiting, too. The Washington Post’s review of the novel singled out its Quileute characters as stereotypical B-list figures, and the production’s casting call this summer was for exactly two of them, Jacob Black and his father, Billy. How the series writes them will reveal more about its ambitions than any earnings call.

What is confirmed, and what is not

Sinead Daly, whose credits include Raised by Wolves, The Walking Dead: World Beyond and The Get Down, is the showrunner, with Lynn Wang as supervising director. Meyer’s Fickle Fish Films produces with Lionsgate Television. The project was first reported in development at Lionsgate in April 2023, confirmed as animation in March 2024, and landed its Netflix series order in September of that year.

No voice cast has been officially announced. Names for Edward and Bella are already circulating in some outlets, but neither Lionsgate nor Netflix has confirmed them, and there has been no announcement involving Robert Pattinson or Kristen Stewart. There is no release date either. A casting document reported by What’s on Netflix put production between August 2026 and May 2027 in Los Angeles; the site expects the series no earlier than late 2027, and more likely in 2028. That is a forecast, not a schedule.

Netflix has already paid for the sequel. What it has not proven is the premise: that the audience streaming the 2008 film again this month wanted to spend two seasons inside Edward Cullen’s head.

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