Movies

Twelve state AGs take Paramount-Warner to federal court, betting antitrust still bites

California’s Rob Bonta leads a dozen states seeking an emergency halt, arguing one owner would command a third of America’s blockbusters
Veronica Loop

State attorneys general have become the last institution willing to stand between Hollywood and its own consolidation, now that Washington’s antitrust reflexes have gone quiet — and a dozen of them have decided this fight is worth escalating rather than conceding. Their target is Paramount’s roughly $110 billion absorption of Warner Bros. Discovery, the deal that would fold two of the studio system’s founding libraries under one owner and drag the fight out of scattered state courthouses onto a federal bench where the country’s core antitrust statute is suddenly on trial.

As Deadline reported, a coalition of twelve states — California, Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon and Washington — is asking a federal judge for a temporary restraining order and preliminary injunction to freeze the merger before the companies can close it. California Attorney General Rob Bonta is leading the group, building the case on the Clayton Act, the 1914 law written precisely to stop mergers that throttle competition before the damage is done.

The central claim is about raw scale. A combined Paramount Skydance and Warner Bros. Discovery would control nearly a third of American cable programming and more than a third of the blockbuster films that anchor the theatrical calendar, according to Bonta’s office — a concentration that would place the Paramount mountain, the Warner shield, CBS, HBO, CNN and franchises from DC to Star Trek behind one boardroom door. “Competition is the lifeblood of a healthy and vibrant economy,” Bonta said, casting the deal as a threat to prices and consumer choice rather than a routine corporate reshuffle.

The escalation matters because state resistance had looked like it was crumbling. Only days earlier Oregon had quietly dropped a solo state-court demand for Paramount’s records, a retreat that read at the time as surrender; instead it now looks like a regrouping, with Oregon among the twelve names on a unified federal complaint. Paramount, steered by David Ellison’s Skydance, has dismissed the suit as “a fundamentally flawed application of the antitrust laws” that is “wrong on both the facts and the law,” the same unbothered posture it struck when it brushed off the earlier state inquiry.

The urgency is a calendar problem. The U.S. Justice Department has already cleared the deal, and the European Union is expected to rule around July 22 — the moment, the states warn, when Paramount could move to close within days. The merger agreement runs to an outside date of March 4, 2027, and a ticking fee of roughly $7 million a day hits Paramount once September 30 passes — pressure the states say is pushing the company to rush past scrutiny.

For a generation, a studio’s fate was decided in Hollywood boardrooms and the occasional Washington hearing room. This week it landed in a federal courtroom in Sacramento, where twelve state lawyers are asking a judge to do the thing regulators would not — hold the deal still long enough to ask whether a third of America’s blockbusters belongs to one company.

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