Movies

Oregon blinks first, and the last state challenge to the Paramount-Warner merger collapses

AG Dan Rayfield drops his records demand and delay bid, leaving David Ellison’s $110 billion consolidation effectively unopposed in the US
Molly Se-kyung

State attorneys general have quietly become the last speed bump in an era when Washington waves media mega-mergers through, so when one of them steps aside the deal is essentially finished. Oregon was that holdout on Paramount’s absorption of Warner Bros. Discovery, and its retreat means the largest reshaping of the American studio system in a generation now faces no organized government resistance on home soil.

As Deadline first reported, Oregon Attorney General Dan Rayfield has withdrawn both a civil investigative demand for Paramount’s records and his motion asking a Multnomah County judge to pause the roughly $110 billion merger — filed days before a Monday hearing that will now not happen. The records he wanted covered Paramount’s lobbying of federal officials, its hand in a U.S. Justice Department statement endorsing the deal, and an internal campaign the company code-named “Project Warrior.”

The withdrawal reads less like satisfaction than a stalemate. Paramount, now steered by David Ellison’s Skydance, declined service, produced objections on the deadline, and — in the state’s telling — behaved as though it thinks it is “above the law.” Rayfield’s office framed the retreat as a refusal to “waste Oregonians’ resources on these games,” while Paramount welcomed the end of what it called “an unwarranted effort to delay a lawful, pro-competitive merger.”

The stakes were never really Oregon’s alone. A combined company would fold two of Hollywood’s founding libraries — the Paramount mountain and the Warner shield — under a single owner, alongside CBS, HBO, CNN and franchises from DC to Star Trek. Rayfield had warned that “Oregonians have a real stake in this deal — in our film industry, in our economy, in the choices they’ll have as consumers,” a preview of the concentration argument that archivists and rival studios keep raising as the catalogue of American film history contracts into fewer hands.

With federal antitrust clearance already secured and the last state challenge gone, the two companies expect to close by the end of the third quarter, pending only European Union and UK sign-off. Paramount handed over more than 822,000 documents during the fight; Warner Bros. Discovery produced roughly 1.2 million — a paper trail now bound for the archives rather than a courtroom.

The next time a studio’s fate is argued in public, it may not be in a Portland courthouse but in a boardroom that already owns both sides of the marquee.

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