Martin Cid Magazine — Culture, Entertainment & World News

A jury cleared Lizzie Borden; the culture never did. Netflix’s Monster hands its true-crime machine its first acquittal, and its first real woman, restaging the 1892 Fall River killings as feminist black comedy from Ryan Murphy and Ian Brennan.

Women’s tennis moves its year-end championship to a Charlotte NBA arena from 2027 — closer to fans, but squeezed from eight days to five, and announced without the record purse Riyadh paid.

The Swedish songwriter’s newest album takes its name from a biological term that mainstream pop has spent years coding in metaphor. ESTRUS is Tove Lo’s clearest statement of the premise that has always driven her work: that desire without euphemism is still, and maybe finally, pop music.