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Pattinson’s Batman can’t follow Gunn into the DCU — and Reeves’ tone, he says, is why

Martha Lucas
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DC Studios’ governing idea under James Gunn and Peter Safran has been triage: reboot the shared universe from the ground up, and quietly wall off the films too singular to fold in. Matt Reeves’ The Batman was always the obvious exile — a Chinatown-noir Gotham pitched at a frequency no team-up movie could match. What Robert Pattinson has now added is the star’s own vote for that quarantine, turning a decision made in a boardroom into one made on set.

As Deadline first reported, Pattinson — out promoting the Chris Hansen thriller Primetime — told LADbible that fitting his Bruce Wayne into Gunn’s brighter DC Universe “would be kind of tough.” The obstacle he describes is not rights or scheduling but immersion: “the tone of it gets inside you,” he said of Reeves’ method, a shoot so committed to darkness that dropping onto a sunlit Superman set would register as whiplash.

It is a rare case of a franchise lead lobbying against his own expansion. Pattinson’s Batman arrived in 2022 as a deliberate outlier — a detective picture wearing a blockbuster’s cape, closer to Se7en than to Justice League — and its charge came precisely from not being interoperable. Ask that Bruce Wayne to trade quips with a computer-generated Green Lantern and the spell breaks.

Gunn has already shut the door from his side, answering a fan’s crossover question on Threads with a flat “No.” The DCU’s own Dark Knight is meant to arrive through Andy Muschietti’s long-gestating The Brave and the Bold, a film still without a cast but recently name-checked inside the Lanterns series. Reeves’ movies, by contrast, keep their Elseworlds passport — canon to themselves, foreign everywhere else.

That separation buys Reeves the runway he plainly wants. The Batman Part II, set across a Gotham winter, is shooting now for a theatrical release on February 18, 2028 — nearly six years after the original, a gap Warner is betting distinctiveness can survive.

Two Batmen, two tonal keys, two release calendars: DC’s future is no longer a single universe but a split screen — and its most acclaimed Dark Knight just volunteered to stay on his own side of the glass.

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