The opening shot of The Woods (2020) lingers on a single piece of evidence—a faded photograph tucked into the pocket of a homicide victim—igniting a prosecutor’s desperate hope that his sister, missing for 25 years, might still be alive. This gripping premise sets the stage for a Polish miniseries that blends drama and mystery with unsettling effectiveness.

Created by Pat Howl, Barbara Burska, Leszek Dawid, and Bartosz Konopka, The Woods follows Paweł Kopiński (Grzegorz Damięcki), a prosecutor whose career is forever altered when he discovers a connection between his sister’s disappearance and a recent murder. The series dives headfirst into the murky waters of the past, unraveling secrets buried deep within the rural landscapes of Poland.

What works best about The Woods is its atmospheric tension. The directors, Leszek Dawid and Bartosz Konopka, craft scenes that drip with unease, using the dense forests as both a literal and metaphorical setting for the characters’ hidden fears. The performances are equally compelling, particularly Grzegorz Damięcki’s portrayal of Paweł, whose obsession with finding his sister borders on self-destruction. Agnieszka Grochowska, playing Laura Goldsztajn, delivers a nuanced performance that grounds the series in emotional authenticity.

However, The Woods isn’t without its flaws. The pacing stumbles at times, with certain plot points feeling rushed or underdeveloped. Some of the twists, while initially shocking, lack the narrative weight to justify their inclusion. Additionally, the series leaves several threads dangling, which may frustrate viewers seeking a tidy resolution.

Ultimately, The Woods is a stylish and suspenseful drama that thrives on its moody atmosphere and strong performances.