TV Shows

Sharon Horgan, Jay-Z in conversation, and A24’s Backrooms define HBO Max’s September

Youth, JAY-Z In 8, 4 Blocks Zero, Backrooms, and a deep September 1 catalog drop make this one of HBO Max’s most varied months
Cassian Vale

Some months arrive with a theme; this one arrives with three distinct creative statements. HBO Max’s September lineup isn’t organized around genre or audience segment — it’s built around creators who committed to a position: a writer-performer who pushes her established instinct for discomfort further inward than before; a musician who agreed to excavate three decades of work with the one collaborator who might understand all of it; and a first-time feature director whose debut became the highest-grossing film in A24’s history.

The centerpiece is Youth, Sharon Horgan’s new HBO comedy about a 50-year-old divorcee navigating sex and desire while her parents are aging and her adult son hasn’t managed to leave. Horgan writes, stars in, and executive produces the eight-episode series for her company Merman — the same production house behind Bad Sisters and Amandaland. Where those series maintained a certain structural distance from their characters’ most unguarded moments, Youth moves closer. Dawn Shadforth directs.

The Hamady family gathered in a Berlin courtyard in 4 Blocks Zero
Image: HBO Max/Warner Bros. Discovery

Arriving September 25, 4 Blocks Zero is a prequel to the acclaimed German crime series, set in 1990s Berlin and following the Hamady family’s arrival from Lebanon. Father Malik (Rami Fadel Khalaf) is trying to build something stable, but the arrival of his brother-in-law Ibrahim (Tariq Al-Saies) — released from prison, carrying a dangerous secret — sends the family’s values on a collision course with the criminal underworld. Director Özgür Yıldırım, who built the original 4 Blocks over three seasons, returns to construct the origin of what he already brought to an end.

JAY-Z In 8 premieres September 18 as an eight-episode documentary built around a listening session. Rick Rubin sits with Jay-Z and works backward through thirty years of catalog — ’99 Problems,” “Brooklyn’s Finest,” “4:44” — asking the kind of questions that assume the music already knows things the artist forgot he put there. Two new episodes debut weekly.

Backrooms, Kane Parsons’ adaptation of internet folklore about a liminal space where something waits, arrives to stream September 25 — three months after its theatrical run closed as A24’s highest-grossing film ever, at $396.5 million worldwide against a budget under $10 million. The month opens September 4 with David Mackenzie’s Fuze, a bomb-disposal thriller starring Aaron Taylor-Johnson and Theo James. A September 1 catalog drop adds Full Metal Jacket, Rain Man, Eyes Wide Shut, Saltburn, and The Revenant, among dozens of others.

Youth premieres September 20 with its first two episodes, followed by one new episode weekly. Three distinct creative positions — Horgan’s midlife auteur mode, Jay-Z’s self-archaeology, Parsons’ internet-myth horror — don’t share a genre or an audience. That’s the argument: this is a platform testing how many different kinds of prestige television it can hold at once.

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