Movies

Teyonah Parris turns Apple into a home base, boarding O’Connor’s underdog drama ‘Running’

Fresh off her Marvel run, Parris lands her second Apple film as Gavin O'Connor keeps stacking 'Running' with prestige names
Camille Lefèvre

Apple’s movie unit has settled into a recognizable method: hand a genre specialist the keys, then stack the call sheet with awards-caliber names around a lead most audiences still couldn’t place. Gavin O’Connor’s Running has become the clearest expression of that approach — a months-long drip of prestige casting fastened to a sports drama whose protagonist, the young British actor Spike Fearn, is the least familiar face attached to it.

The newest name is a returning one. As Deadline first reported, Teyonah Parris — the If Beale Street Could Talk and WandaVision actress — has boarded Running, O’Connor’s Apple Original Films drama, in a role the studio is keeping under wraps. She joins an ensemble anchored by Fearn and rounded out by Brian Tyree Henry, Rhea Seehorn and comedian Andrew Schulz.

O’Connor has built a career inside stories of physical struggle and hard-won redemption — Warrior, Miracle, The Way Back — and Running sits squarely in that register. It reunites him with screenwriter Bill Dubuque, his collaborator on The Accountant and the creator of Ozark, working from a story the two developed together. The film follows a homeless high-school running prodigy who uses his gift to outrun his past and find a family.

For Parris, the deal looks less like a one-off than a pattern. After the Marvel run around The Marvels underdelivered at the box office, she has quietly made Apple a base: Running is her second film in the studio’s pipeline, following the live-action Matchbox opposite John Cena and Jessica Biel. Two projects at one address is a relationship, not an accident.

The company she keeps signals the film’s ambition as loudly as any logline. Henry carries an Oscar nomination for Causeway; Seehorn arrives at a career high, moving from Better Call Saul into Vince Gilligan’s Apple series Pluribus; Fearn broke through as Olly in Charlotte Wells’s Aftersun. It is a deep enough bench that a first-time studio lead can sit at its center without the film reading as a gamble. Makeready and O’Connor’s own Waffle Iron Entertainment are producing.

For Apple, the depth is the pitch — a bench built prestigious enough that the least-known name on the call sheet is the one the whole film is running toward.

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