Movies

Romy and Michele’s sequel starts shooting as Hulu bets a 90s cult comedy still sells reinvention

Thirty years on, Tim Federle and original scribe Robin Schiff reassemble the full cast for a 20th Century comedy headed straight to Hulu
Martha O'Hara

The 1997 cult favorite that taught a generation the difference between reinvention and self-erasure built its whole comic engine on a lie — two suburban nobodies crashing their high-school reunion as the supposed inventors of Post-its. Nearly thirty years later, the joke has curdled into strategy: in an industry mining its own back catalogue for anything with pre-loaded affection, a beloved comedy about faking your way to relevance is exactly the kind of safe, sincere bet a streaming service wants on its slate.

Cameras are now rolling. Mira Sorvino marked the milestone on social media — “‘One day’ has become day one,” she wrote, calling the project the biggest dream of her career — and Deadline confirmed that the Tim Federle–directed sequel began principal photography this month. Crucially, Robin Schiff, who wrote the original, is back on script, the surest signal that the follow-up means to honor the first film’s voice rather than reverse-engineer its nostalgia.

The reunion is close to complete. Lisa Kudrow rejoins Sorvino as the inseparable Michele, with Alan Cumming, Janeane Garofalo, Camryn Manheim and Julia Campbell all reprising their 1997 roles. The newcomers skew comic-heavyweight: Keegan-Michael Key, Patrick Warburton, Breckin Meyer, Rob Huebel and Nathan Lee Graham join the ensemble. Producer Laurence Mark returns, and — a detail that matters for a movie whose costumes are practically characters — original designer Mona May is back to dress the sequel.

What has changed is the destination. Where the original was a theatrical release that found its real audience on cable and in quotation, the sequel is a 20th Century Studios production built as a Hulu original, another mid-budget comedy routed past theaters into Disney’s streaming pipeline. Federle, who turned “High School Musical: The Musical: The Series” into a theater-kid institution, brings exactly the affectionate, performance-minded sensibility a legacy comedy needs to avoid feeling like a contractual revival.

There is no release date yet, and Hulu has stayed characteristically quiet on when subscribers will get their reunion. But the symbolism is hard to miss: a movie about two women who once faked success to be loved is now the most genuinely wanted title on its studio’s comedy bench — proof that, three decades on, the surest way forward is sometimes to simply walk back into the gym.

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