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Chase Yi anchors Paranormal Activity 8 as Blumhouse bets an A24 auteur can revive found footage

The 'Mythic Quest' actor leads as Paramount and Blumhouse hand the franchise's eighth film to 'Undertone' director Ian Tuason
Camille Lefèvre

When Paranormal Activity turned a $15,000 home movie into a near-$194 million phenomenon in 2009, it didn’t just spawn sequels — it handed Hollywood a template for manufacturing dread on a spreadsheet. Seven installments later, that template has hardened into a brand. So the most revealing thing about the eighth film isn’t its plot, which remains sealed, but the kind of filmmaker Paramount and Blumhouse Atomic Monster have hired to restart it.

As Deadline first reported, Chase Yi has signed on to lead the next chapter of the found-footage franchise. Yi is an unusual anchor for a horror tentpole: his profile runs through comedy and prestige TV — Apple‘s Mythic Quest, Hacks, The Rehearsal, High Potential — rather than the scream-queen pipeline the genre usually mines. Casting a performer trained in timing and deadpan over pure terror hints at a movie built on character before jump scares.

The bigger tell is the director. Ian Tuason is a Toronto filmmaker who came up making live-action VR horror shorts that drew millions of views, then broke through with Undertone, the A24 chiller that won the audience award for Canadian film at the Fantasia International Film Festival. His sensibility is the opposite of franchise efficiency: Undertone built its terror out of sound rather than spectacle. Handing him a static night-vision camera is a bet that an auteur’s restraint can do what diminishing-returns sequels couldn’t.

It also fits the playbook Jason Blum has run for over a decade, elevating micro-budget festival directors into studio horror. Blum produces alongside James Wan through Blumhouse Atomic Monster, with franchise originator Oren Peli aboard through his Solana Films banner. For Paramount, betting on a relatively untested director and a comedy-bred lead is a low-cost way to test whether one of horror’s most exhausted franchises still has theatrical pull.

Paramount has dated the film for May 21, 2027, a prime early-summer horror slot. The image it conjures is its own kind of provocation: a comedy actor staring down the franchise’s signature fixed camera in the dark — a director who made his name on what you can’t see, inheriting the series that taught audiences to fear an empty doorway.

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