Name: One Ranger
Genre: Action, Thriller
Released: 2023-05-05T00:00:00+00:00
Cast: Thomas Jane, Dominique Tipper, John Malkovich, Dean S. Jagger, Patrick Bergin

The opening scene of One Ranger is a masterclass in tension: Thomas Jane’s Texas Ranger Alex Tyree, silhouetted against the desert sun, pursues a fleeing criminal on horseback. It’s a striking image, evoking classic Westerns while hinting at the modern thriller to come.

Directed by Jesse V. Johnson, One Ranger is a straightforward action film that blends neo-Western aesthetics with spy thriller tropes. Jane delivers a solid performance as Tyree, embodying the stoic lawman with an effortless swagger. His chemistry with Dominique Tipper’s British agent Jennifer Smith is one of the film’s highlights, grounding the absurd premise in genuine partnership. Tipper, in particular, brings a sharp wit and steely resolve to her role, making Smith more than just a sidekick.

The film’s central conceit—a Texas Ranger teaming up with British intelligence to thwart a terrorist attack—is inherently intriguing. However, the execution stumbles under the weight of its own seriousness. The story, in which only two agents are sent after a dangerous terrorist, is undeniably silly, and the film’s refusal to acknowledge this with even a hint of humor makes it feel overly earnest. Johnson’s direction is technically competent, with well-choreographed action sequences, but Harvey’s critique from Variety rings true: the film lacks any leavening style or personality.

John Malkovich‘s performance as Geddes is a notable misstep. His peculiar delivery and over-the-top mannerisms clash with the rest of the cast, making his scenes feel like they’re from a different movie altogether. Dean Jagger’s Declan McBride, the film’s antagonist, is serviceable but forgettable, lacking the charisma or depth to make him a memorable villain.

The film’s pacing is another issue. While the action sequences are well-staged, the buildup often feels rushed or uneven. The transition from Western-style pursuit to international espionage is abrupt, and the film struggles to find a consistent tone. The soundtrack, while effective in heightening tension during action scenes, feels disjointed with the more grounded moments.

Despite its flaws, One Ranger has moments of genuine excitement. A standout sequence involves Tyree and Smith navigating a densely populated London market, where the stakes are high and the tension is palpable. Jane’s physicality and Tipper’s quick thinking shine in this scene, making it one of the film’s most engaging moments.

Ultimately, One Ranger is a missed opportunity. With its unique premise and strong lead performances, it had the potential to be something special.