Movies

Ken Jeong opens Shark Week, but Discovery’s real catch is ‘KPop Demon Hunters’

Jun Satō

Every summer a shark network needs a face. This one belongs, improbably, to an animated girl group. Discovery has handed the opening of Shark Week to Ken Jeong and Rei Ami, and the pairing says less about sharks than about where cultural heat now lives — inside a Netflix cartoon about K-pop idols who moonlight as demon slayers.

The special is called “KPop Shark Heroes,” and the title does the work the diving footage cannot quite manage on its own. Jeong voices a character in “KPop Demon Hunters.” Rei Ami sings one. Neither is a marine biologist. What they carry into the water — or, in Jeong’s case, up to its edge — is the borrowed authenticity of a phenomenon.

That phenomenon is the point. “KPop Demon Hunters” became Netflix’s most-watched film, took two Academy Awards, and landed the first Grammy ever handed to a K-pop track. Discovery is not casting celebrities so much as licensing a mood — the bright, lacquered surface of a thing the whole culture already loves — and hoping it transfers to a brand entering its fourth decade. Sharks are the constant. The gloss is imported.

The casting also quietly reveals its own machinery. Rei Ami, the actual musician, did the diving: cage descents and free dives among hammerheads, reef sharks and bull sharks off the Korean peninsula. Jeong, the far bigger name, stayed out of the water and described his job as overseeing. The star who sells the special never gets wet; the performer with the smaller marquee does the real work. It is an efficient little diagram of how these stunts are built.

None of which makes the exercise cynical. The conservation frame is genuine, pegged to real shark encounters near Korea, and Rei Ami sells the wonder better than any narrator. “While Shark Week is very entertaining and thrilling,” she told the Associated Press, “it is at the core very educational.” She is right, and she plainly means it — she talks about the dives as something words cannot hold.

But the apparatus around her is indifferent to which body fills the slot. Shark Week has been fronted by Dwayne Johnson, Jason Momoa, John Cena — muscle when muscle was the currency. This year the currency is an animated girl group, so the celebrity is swapped to match. A primary host for the week has not even been named; the opening night simply attaches to whatever is peaking on streaming, and this summer that is a group of cartoon idols.

The result, aesthetically, is coherent in the way a good campaign is coherent: pop gloss over primal fear, an animated pastel palette laid across the oldest image of teeth in dark water. It looks current. It looks designed. Whether it teaches anyone anything about sharks is a separate question from whether it works, and Discovery has clearly decided the second question is the only one that matters this week.

KPop Shark Heroes opens a 38th edition that runs seven nights on Discovery Channel, Discovery+ and HBO Max, alongside the usual record-dive spectacles and great-white forensics. The tell isn’t that Ken Jeong is fronting a shark show. It’s that the show needed a cartoon to feel current — and that when the cameras finally rolled, it sent the singer into the water and kept the star safe on the boat.

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