Movies

Akhanda: Balakrishna’s Dual Role Shines Amid Chaotic Storytelling

Veronica Loop

The opening shot of Akhanda lingers on a dense, impenetrable forest, where police forces hunt a feared brigand named Gajendra Sahu. This moment sets the tone for Boyapati Srinu’s 2021 fantasy action drama: a world where myth and reality collide in explosive fashion. Nandamuri Balakrishna stars in a dual role as twin brothers separated at birth—Murali Krishna, a local hero, and Akhanda, a secluded Shiva devotee—whose lives converge when danger threatens Murali’s family.

The film’s strongest suit is its unapologetic embrace of mass appeal. The action sequences, particularly the carefully choreographed slow-motion shots, deliver visceral thrills. Balakrishna’s physicality and screen presence anchor these moments, making his dual role a standout. The cinematography amplifies the spectacle, with sweeping forest landscapes and intense close-ups during fight scenes.

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However, Akhanda stumbles in its narrative coherence. The film’s fantasy elements—divine prophecies, Shiva’s wrath, and the mystical Aghora—clash with its grounded drama about factionalism and uranium mining. The tonal whiplash between spiritual allegory and socio-political commentary weakens the story’s impact.

Pragya Jaiswal as Saranya Bachupally brings warmth and conviction to her role, but her character often feels sidelined by the film’s male-dominated drama. Srikanth and Nitin Mehta deliver solid performances, though their characters lack depth beyond their roles as antagonists.

The film’s originality lies in its audacious blending of genres, but this very ambition becomes its downfall. The juxtaposition of sacred rituals with political corruption feels heavy-handed at times, and the pacing drags during the film’s 167-minute runtime.

Akhanda is a flawed but fascinating ride, one that leans into its excesses with unabashed enthusiasm.

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