Unstable: A Workplace Comedy That Struggles to Find Its Footing

Imagine Rob Lowe as Ellis Dragon, a biotech genius who’s part mad scientist, part narcissistic showman, holding court in his high-tech lab like a deranged professor. His son Jackson (John Owen Lowe), a flutist turned reluctant employee, stands nearby, wincing at every over-the-top declaration. This is the central dynamic of Unstable, Netflix’s workplace comedy-drama that tries to balance family dysfunction with corporate satire.

Created by Rob Lowe, his son John Owen Lowe, and Victor Fresco, Unstable follows Ellis Dragon, the eccentric CEO of a biotech company, and his socially anxious son Jackson, who joins the firm to save it—and his father—from financial ruin after the death of Ellis’s wife. The show premiered on Netflix in March 2023 and was renewed for a second season, which wrapped filming earlier this year before being canceled. With a cast that includes Sian Clifford, Aaron Branch, Rachel Marsh, and Fred Armisen, Unstable aims to be more than just another quirky comedy—it wants to be a sharp, emotionally resonant exploration of father-son relationships.

The premise is inherently compelling. Ellis Dragon is the kind of character who thrives on chaos, a man who believes his own hype so deeply that he can’t see how it alienates everyone around him. Rob Lowe leans into this role with gusto, delivering a performance that’s equal parts entertaining and exhausting. His Ellis is a whirlwind of energy, oscillating between charismatic visionary and self-absorbed narcissist. The problem? Lowe’s commitment to the character’s larger-than-life persona sometimes tips into caricature, making it difficult to take Ellis seriously as anything more than a comedic foil.

John Owen Lowe fares better as Jackson, the socially awkward son who’s been living in his father’s shadow for years. His performance is grounded and relatable, offering a necessary counterbalance to his father’s antics. The dynamic between the two feels authentic, drawing from their real-life relationship, which adds an extra layer of intrigue. However, Jackson’s character occasionally suffers from a lack of depth, reduced at times to little more than a straight man reacting to Ellis’s absurdity.

The supporting cast brings much-needed nuance to the series. Sian Clifford is excellent as Anna, the pragmatic CFO who serves as the voice of reason in a company full of eccentric personalities. Her dry wit and no-nonsense attitude provide some of the show’s best moments. Aaron Branch and Emma Ferreira deliver solid performances as Jackson’s childhood friend Malcolm and scientist Ruby, respectively, adding depth to the workplace dynamics.

Fred Armisen’s recurring role as Leslie, a therapist brought in to work with Ellis, is one of the series’ standout elements. His deadpan delivery and understated humor provide some of the show’s most memorable moments. Lamorne Morris also makes an impression in season two as Peter, an old family friend who brings his own brand of chaos to the mix.

The series’ strongest moments come from its exploration of the father-son relationship. The Lowe duo’s chemistry is palpable, and their performances feel genuine. The show’s humor is at its best when it leans into the absurdity of Ellis’s behavior and Jackson’s attempts to navigate it. However, these moments are often undermined by a tendency towards broad comedy that feels out of step with the more grounded emotional beats.

The workplace setting provides ample opportunity for satire, but Unstable struggles to find a consistent tone. The series veers between heartfelt drama and slapstick humor, creating a disjointed viewing experience. The writing, while occasionally sharp, often relies on clichés and predictable plot developments. The first season’s eight-episode structure feels rushed, with character arcs and storylines that don’t have enough time to breathe.

Visually, the series is polished, with a sleek, modern aesthetic that suits its high-tech setting. The cinematography effectively captures the sterile, corporate environment of Dragon Labs, emphasizing the contrast between the cold professional world and the messy personal dynamics at play. The soundtrack, composed by Sven Faulconer and Mark Foster, adds a layer of energy to the series, though it occasionally feels at odds with the more subdued moments.

Unstable has its moments of brilliance, particularly in the performances of Rob Lowe and Sian Clifford and the exploration of the complex father-son relationship. However, it ultimately falls short due to its tonal inconsistency and rushed storytelling. The show’s attempt to blend comedy and drama is admirable but often feels uneven, leaving viewers unsure whether to laugh or cringe at Ellis’s antics.

The series also struggles with pacing and structure. The first season, in particular, feels like it’s trying to do too much too soon. The introduction of new characters and subplots in the second season adds complexity but also dilutes the focus on the core father-son dynamic that makes the show compelling.

Unstable is a show that will likely resonate most with viewers who enjoy workplace comedies with a dash of drama. Fans of Rob Lowe’s previous work may find his performance here entertaining, if not always convincing. The series’ exploration of family dynamics and the challenges of balancing personal and professional lives adds depth to its premise.

However, those looking for a more cohesive narrative or a sharper satirical edge may be disappointed.