Series

Queenmaker: A Masterclass in Political Manipulation and Moral Dilemmas

Molly Se-kyung
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The opening scene of Queenmaker is a masterclass in tension: Hwang Do-hee, played with chilling precision by Kim Hee-ae, coldly calculates how to bury yet another scandal for Eunsung Group. The camera lingers on her face as she delivers a line that cuts through the screen like a knife: “The truth is just another problem to be solved.” This isn’t just a show about politics; it’s a dissection of power, conscience, and the moral compromises made in the pursuit of influence.

Created by Oh Jin-seok and Moon Ji-young, Queenmaker is a South Korean political drama that lands on Netflix with the weight of a sledgehammer. The series follows Do-hee, a veteran fixer for the powerful Eunsung Group, as she defects after a subordinate’s suicide shakes her conscience. She sets her sights on transforming Oh Kyung-sook (Moon So-ri), a principled human rights lawyer, into Seoul’s next mayor—and taking down her former employers in the process.

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What works here is the electric chemistry between Kim Hee-ae and Moon So-ri. Their performances are razor-sharp, each bringing depth to their morally complex characters. Do-hee is a master manipulator, yet Kim imbues her with moments of vulnerability that make her more than just a villain. Kyung-sook, meanwhile, is a force of nature—a relentless advocate for justice—played by Moon with a fiery intensity that grounds the series. The supporting cast, particularly Ryu Soo-young as the charismatic but ruthless Baek Jae-min, adds layers to the political intrigue.

The show’s strength lies in its ability to balance personal drama with high-stakes politics. The tension between Do-hee’s pragmatism and Kyung-sook’s idealism is a compelling narrative engine, driving the series forward with a sense of urgency. The cinematography is sleek and modern, with tight close-ups that amplify the emotional stakes and sweeping shots of Seoul that underscore the scale of the political battle.

However, Queenmaker isn’t without its flaws. The pacing stumbles occasionally, particularly in the middle episodes, where the plot meanders slightly as it sets up the final confrontation. Some subplots feel underdeveloped, adding little to the central narrative beyond unnecessary complication.

The series also struggles with its tonal balance. While the political maneuvering is gripping, the occasional forays into dark humor fall flat, disrupting the show’s otherwise serious tone. The violence and aggressive themes are handled with a heavy hand at times, feeling more sensational than substantive.

Queenmaker stands out in the crowded field of political dramas by focusing on the often-overlooked role of women in power dynamics. Kim Hee-ae’s Do-hee is a fascinating character study of a woman who has spent her career navigating a male-dominated world. Her transformation from a ruthless fixer to a reluctant ally of justice is a journey worth watching. Moon So-ri’s Kyung-sook, meanwhile, challenges the traditional notion of what it means to be a political candidate, emphasizing her principles over populist appeals.

The series also delves into the complexities of South Korean politics, particularly the influence of chaebol conglomerates on the country’s political landscape. This focus sets Queenmaker apart from other political dramas, offering a nuanced look at the intersection of business and politics. The portrayal of Eunsung Group as a shadowy power broker is both chilling and insightful, highlighting the real-world impact of corporate influence.

For viewers who enjoy intricate political narratives with a strong female lead, Queenmaker is a must-watch. Fans of Kim Hee-ae’s previous work in The World of the Married will appreciate her nuanced performance here, while Moon So-ri’s portrayal of Kyung-sook offers a refreshing change from typical political candidates. However, those looking for a more straightforward thriller or action-packed drama may find the pacing and tonal shifts disappointing.

In comparison to other Netflix originals like The Killer, which leans heavily into its genre conventions, Queenmaker distinguishes itself through its character-driven approach. While The Killer thrives on suspense and action, Queenmaker succeeds by delving deep into the psychological and moral dilemmas of its protagonists. This focus on character development makes it a more compelling watch for those interested in the human side of politics.

Ultimately, Queenmaker is a series that demands attention. It’s not perfect—its pacing issues and tonal inconsistencies hold it back from greatness—but its strengths far outweigh its weaknesses.

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Photos: The Movie Database (TMDB)

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