The opening scene of Everything Now is a stark hospital room, Mia Polanco (Sophie Wilde) staring at her reflection, tracing the hollows of her face. It’s an unflinching introduction to a series that wears its heart on its sleeve and its struggles on its skin.

Created by Ripley Parker and produced by Left Bank Pictures and Sony Pictures Television, Everything Now is a British teen comedy-drama released on Netflix in October 2023. The series follows 16-year-old Mia, freshly discharged from treatment for anorexia nervosa, as she crafts a “fuck-it bucket list” of typical teenage experiences she missed while battling her eating disorder. The premise is ripe with potential, blending the exuberance of youth with the gravity of mental health.

Sophie Wilde anchors the series with a performance that is both fragile and fierce. Her portrayal of Mia’s vulnerability and burgeoning strength is compelling, particularly in scenes where Mia grapples with her body image or the judgment of others. Wilde’s ability to convey Mia’s internal struggle with subtlety and nuance is one of the series’ standout elements. The supporting cast, including Lauryn Ajufo as Mia’s best friend Becca and Vivienne Acheampong as Mia’s mother Viv, brings warmth and authenticity to the ensemble.

The series shines in its exploration of friendship and family dynamics. The chemistry between Wilde and Ajufo is palpable, their scenes together buzzing with the electric energy of teenage camaraderie. The show also tackles serious themes with sensitivity, from Mia’s recovery to the pressures of social media and the stigma around mental health. For instance, the episode where Mia sneaks into a concert with Becca is a highlight, capturing the thrill of rebellion and the comfort of friendship.

However, Everything Now stumbles in its pacing and structural choices. The eight-episode structure feels rushed at times, with some plot points given short shrift. For instance, Mia’s bucket list items—ranging from kissing a stranger to sneaking into a concert—could have been explored more deeply, offering richer character development and thematic resonance. The series also struggles to find its tonal balance. It oscillates between heartfelt drama and lighthearted comedy, sometimes within the same scene. While this reflects the chaotic nature of adolescence, it occasionally feels disjointed. The humor, though often witty, sometimes undermines the gravity of Mia’s journey.

Visually, Everything Now is a feast for the eyes. The cinematography captures the vibrant chaos of London, from its bustling streets to its quiet corners. The use of color and light adds emotional depth, particularly in scenes where Mia confronts her fears or celebrates small victories. For example, the scene where Mia stands in front of a mirror, finally seeing herself with kindness rather than criticism, is visually striking and emotionally resonant.

Yet, the series’ originality is hampered by its familiarity. It treads ground already covered by shows like Sex Education and Heartstopper, albeit with a unique perspective on eating disorders. While Mia’s story is compelling, it doesn’t break enough new ground to stand out in a crowded field. The series also suffers from a lack of depth in its supporting characters. With the exception of Becca and Viv, many of the other characters feel one-dimensional, serving more as plot devices than fully realized individuals.

In terms of direction, Ripley Parker’s approach is commendable for its authenticity and emotional honesty. However, there are moments where the pacing lags, particularly in episodes that focus more on exposition than character development. The series could have benefited from a tighter script, with more attention paid to the nuances of Mia’s journey.

Themes of mental health, friendship, and self-discovery are at the heart of Everything Now. The series does an excellent job of portraying the complexities of eating disorders and the challenges of recovery. It also explores the pressures of social media and the impact it can have on young people’s mental health. However, these themes are sometimes overshadowed by the series’ reliance on familiar tropes and plot devices.

In conclusion, Everything Now is a series that aims high but doesn’t always hit its mark. It’s a charming and emotionally resonant exploration of teenage life, mental health, and the power of friendship. While it may not break new ground in the teen drama genre, it offers a unique perspective on eating disorders and the challenges of recovery.