TV Shows

Curon: A Lake Hides Dark Family Secrets

Curon is the new TV show on Netflix. Stars: Valeria Bilello, Maximilian Dirr and Anna Ferzetti
Susan Hill
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The opening shot of Curon lingers on the murky waters of the town’s lake, a silent witness to secrets buried deep beneath its surface. This is where Ezio Abbate and Ivano Fachin’s Netflix series begins—with an image that promises mystery, dread, and perhaps even something supernatural. The lake, as it turns out, is far more than just a backdrop; it’s the heart of Curon, a place where the past refuses to stay buried and where the present is shaped by unseen forces.

Created by Abbate and Fachin for Netflix, Curon is an Italian supernatural drama that premiered on June 10, 2020. The series stars Valeria Bilello as Anna Raina, a woman who returns to her hometown of Curon in Northern Italy after 17 years, accompanied by her teenage twins, Daria (Margherita Morchio) and Mauro (Federico Russo). What they uncover is a web of secrets, historical tensions, and a darkness that lurks just beneath the surface of this seemingly tranquil Alpine village.

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At its core, Curon is a story about family, identity, and the weight of the past. Anna’s return to Curon is driven by an incessant nightmare about her mother’s tragic death, a memory she has suppressed for years. The twins, meanwhile, are thrust into a world where they are outsiders, unwelcome in a town that views their family with suspicion and hostility. The series explores themes of belonging, the legacy of historical conflict between Italians and Germans in South Tyrol, and the way trauma shapes lives across generations.

The strongest aspect of Curon is its atmosphere. The production design and cinematography capture the isolation and claustrophobia of the Alpine setting, with shadowy corridors, mist-shrouded streets, and an old hotel that feels more like a prison than a home. The series’ visual style is reminiscent of classic gothic horror, with tight framing and low lighting emphasizing the sense of unease. Rocco Centrella’s score amplifies this tension, using haunting melodies to underscore the supernatural elements of the story.

The performances are another highlight. Margherita Morchio and Federico Russo deliver nuanced portrayals of Daria and Mauro, capturing their fear, confusion, and determination as they unravel the town’s secrets. Their dynamic is compelling, particularly in scenes where they rely on each other to survive. Valeria Bilello, as Anna, brings a raw intensity to her role, conveying both vulnerability and strength as she confronts her past. Juju Di Domenico stands out as Micki Asper, Daria’s love interest, delivering emotional depth in moments of rejection and longing.

The series also benefits from its exploration of historical tensions between Italians and Germans in South Tyrol. The rivalry between the Raina family—of Italian descent—and the Asper family, with German roots, serves as a backdrop for deeper themes of identity and belonging. This layer of social commentary grounds the supernatural elements in real-world conflict, adding depth to what could have been a straightforward horror story.

However, Curon stumbles when it comes to narrative cohesion. The plot races through revelations about Anna’s past, her mother’s death, and the town’s dark history without giving each twist the time or weight it deserves. The doppelganger concept—where the lake releases a mirror image of conflicted individuals—is intriguing but underdeveloped. Key moments, such as Anna’s disappearance and the twins’ investigation into their grandmother’s death, feel rushed, leaving viewers struggling to piece together the fragmented story.

The pacing is another issue. While some episodes linger too long on slow-burn tension, others hurtle through crucial plot points without sufficient buildup or payoff. The finale, in particular, attempts to tie up loose ends but instead leaves more questions than answers. The series’ attempt to balance supernatural horror with dramatic mystery and historical conflict results in a narrative that feels overstuffed and disjointed.

That said, Curon has moments of genuine brilliance. The atmosphere is undeniably haunting, with Centrella’s eerie score amplifying the tension. The production design and cinematography create a visual feast of gothic beauty, making Curon itself feel like a character as much as a setting. The performances are consistently strong, anchoring the series in emotional authenticity even when the plot falters.

Curon is a series that will appeal to fans of slow-burn horror and atmospheric mysteries. Viewers who enjoy the eerie charm of The Haunting of Hill House or the small-town secrets of Dark may find something to appreciate here, though they’ll need patience for its narrative shortcomings.

Ultimately, Curon is a visually striking series with compelling performances that can’t overcome its messy plot and pacing issues. It’s a shame, because the foundation is there for something truly haunting. The series has potential—its exploration of historical conflict, its atmospheric setting, and its strong performances all point to a story that could have been more cohesive and impactful.

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Photos: The Movie Database (TMDB)

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