Actors

Şükrü Özyıldız, the actor a cage fight in Portugal unexpectedly created

Penelope H. Fritz
Şükrü Özyıldız
BornFebruary 18, 1988
İzmir, Turkey
OccupationActor
Known forLove Tactics, Love Tactics 2, Arif V 216
AwardsGQ Türkiye Men of the Year, Actor of the Year (2020) · Watsons Awards, Best Smile (2019)

There is something that does not quite fit in the story Şükrü Özyıldız usually tells about himself, and it is the cage. Before the series, before the leading roles, before Netflix and Disney+ and Ottoman historical epics, there was Portugal, an Erasmus exchange, a city where nobody knew him, and a sport that required him to enter a locked enclosure and try to render another person helpless. He was, at the time, technically an engineering student. The cage fights did not become a career. But they established something more useful: that this person would not default to the obvious path.

Özyıldız was born on February 18, 1988, in İzmir, on Turkey’s Aegean coast — a city shaped by its own complicated negotiations between cultures. His maternal family came from Rhodes, with Rûm (Greek Orthodox) heritage, migrants from the dismantled Ottoman world; his father was Turkish, from the Black Sea city of Trabzon. He started university at Istanbul Technical University studying ship mechanics, then transferred to Ege University for business administration, then boarded a plane to Lisbon on an Erasmus exchange. The cage fights happened there. After coming back, a chance encounter with an acting workshop changed the direction entirely. He enrolled at the Müjdat Gezen Art Center in Istanbul and did not look back at the engineering degree.

The television debut came in 2011 with Derin Sular. It was a modest start — a character named Toprak in a series that did not define him. What defined him were the two productions that followed in quick succession: Benim Hala Umudum Var (2013–2014), a drama that established him as a presence Turkish audiences wanted to return to week after week, and Şeref Meselesi (2014–2015), which deepened that audience relationship considerably. By 2015, he was playing Eren in Tatlı Küçük Yalancılar, the Turkish adaptation of Pretty Little Liars — a casting that required a younger, more ironic register. A year later, Kış Güneşi gave him a dual role: twins named Efe and Mete, both played by him alongside Aslı Enver. The double act was the first clear signal of what would become a recurring pattern — not consolidation, but complication.

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That instinct for displacement has made his career harder to predict than most Turkish actors of his generation. When the path called for prestige drama, he appeared in a superhero series: Akıncı (2021), a genre experiment on ATV where he played the character known as Fatih, inhabiting a format Turkish television had not fully explored. When he could have settled into dramatic leads, he starred in Love Tactics (Aşk Taktikleri, 2022) on Netflix alongside Demet Özdemir — a romantic comedy that, precisely because it was on Netflix, found an audience in markets that had no prior frame of reference for him. The sequel followed in 2023. The same year, he starred in Ruhun Duymaz on Fox Turkey, as Onur Karasu — a MIT intelligence agent who also happens to make jewelry. The Golden Butterfly Awards nominated him for best romantic comedy actor and best screen couple — with Burcu Özberk — and he had already moved on before the ceremony ended.

That year he also played the Mad Hatter in Alice Müzikali, a full theatrical musical production that eventually aired on Disney+. He has also performed in Who’s Afraid of Virginia Woolf? with Zerrin Tekindor — a commitment that implied months of theatrical discipline at a moment when screen offers were not in short supply. The Turkish entertainment industry has struggled to decide whether Özyıldız is a serious dramatic actor who occasionally does romantic comedies, or a rom-com lead who occasionally visits drama. The answer may be that the question is poorly framed. For him, the stage is not a retreat from the screen but a different gear, and the genre shift is not a detour but a method.

In 2024 and 2025, he appeared in Esas Oğlan as Ozan, then joined the cast of Kuruluş: Orhan, the Ottoman historical drama following the dynasty’s second generation, playing Commander Flavius. In 2026, he appears in the action-comedy film D.I.S.C.O. as Agent 9 — a genre shift that should, by now, surprise no one.

What the engineering degree and the Portuguese cage fights and the musical theater and the Ottoman courts have in common is an actor who has organized his career around the logic of displacement: consistently turning up in places where he was not the expected choice, and making that dissonance produce something worth watching.

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