How Taisei Iwasaki, 小西遼 and Yuki Kanesaka Built 46 Tracks for Ghost in the Shell

Three composers. Forty-six tracks. One of anime’s most consistently high-stakes franchises. The official O.S.T. for 『攻殻機動隊 THE GHOST IN THE SHELL』 is out now, with Taisei Iwasaki, 小西遼, and Yuki Kanesaka sharing composer credits on a score that, in sheer track count alone, signals the ambition of the production behind it.

Ghost in the Shell — 攻殻機動隊 — has always been a franchise that takes its music seriously. Its animated adaptations have historically arrived with composers given the latitude to build something substantial, and audiences attuned to those soundtracks have come to expect the same commitment from any project that carries the name. The bar that comes with the franchise title is not a small one.

Taisei Iwasaki is the kind of name that signals a production is investing. His previous work on major anime properties has built him a strong following among listeners who track the industry as closely as they track the stories — the audience that knows a score before a trailer drops. Joining him here, 小西遼 and Yuki Kanesaka round out a three-composer team whose combined presence on a 46-track project points to careful assignment of material rather than pooled improvisation.

Forty-six tracks is a number worth pausing on. The complete album is available now on Spotify — catalogued on MusicBrainz and distributed across major digital platforms — and rewards the kind of listening that treats an O.S.T. as a standalone record in its own right. For the segment of the music market that engages with anime soundtracks that seriously, this release has the heft of a full statement.

『攻殻機動隊 THE GHOST IN THE SHELL』 O.S.T. is out now across streaming platforms. Three composers, forty-six tracks, and a franchise that has never accepted less.

Tags: music-en1, anime, anime soundtrack, Ghost in the Shell, Taisei Iwasaki, Yuki Kanesaka