Music

Shakira, in earthquake-hit Chocó: “What worries me the most is that schools are not rebuilt once this emergency is over”

Alice Lange

Shakira went home to grief. A week after an earthquake tore through Chocó — the Pacific region of Colombia she has poured two decades of her life into — the singer walked through the rubble of collapsed classrooms and, instead of the usual words of comfort, told reporters — in remarks carried by Billboard — what actually keeps her up at night:

“What worries me the most is that schools are not rebuilt once this emergency is over,” she said. “Every day that children don’t go to school is a day they miss out on their future.”

It is a strange sentence to hear at a disaster site. The reflex, in the days after a quake, is to count the dead and tally the damage — at least 287 people were killed and some 40 schools flattened in Chocó alone. Shakira’s mind was already somewhere else: on the quiet, undramatic failure that follows almost every catastrophe, when the cameras leave and the promises go with them.

She has reason to distrust the follow-through. Shakira founded her Fundación Pies Descalzos in 1997 and has run schools in Chocó for some twenty-two years — long enough to watch one of Colombia’s poorest regions be forgotten between emergencies rather than only because of them. When she says she is afraid the schools won’t be rebuilt, she is not speculating; she is describing a pattern she has spent half her adult life fighting.

The money is real and specific: an initial $1.25 million — $500,000 apiece from Live Nation and the FIFA Global Citizen Education Fund, $250,000 from the CAF development bank — aimed at rebuilding ten schools, plus a personal pledge to restore a gutted technological university. Howard Buffett, who has long funneled resources into rural Colombia, walked the site beside her and committed his own foundation to the work.

But the number is the easy part, and Shakira, of all people, knows it. Reconstruction budgets are announced at every disaster; the ribbon-cuttings are photographed; the buildings, too often, never rise. What she was really doing in Quibdó was setting a standard — and daring the state, the donors and the news cycle to hold to it after she flies out.

“To not abandon El Chocó like it historically has been abandoned,” she added — a line aimed less at the rubble in front of her than at everyone who will have moved on by the time the concrete is poured.

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