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The Curse of Bridge Hollow: Cheap CGI Undermines Promising Premise

Veronica Loop
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The first scene of The Curse of Bridge Hollow opens with a flurry of Halloween decorations—jack-o’-lanterns, stuffed scarecrows, and grinning skeletons—suddenly jerking to life in a small-town square. It’s a moment that should thrill, but director Jeff Wadlow’s camera lingers too long on the cheap CGI effects, undercutting any tension with a sense of artificiality. The film’s opening gambit hints at what will become its central struggle: a tone stuck between horror and comedy, never fully committing to either.

Wadlow’s 2022 Netflix release follows Howard Gordon (Marlon Wayans), a skeptical scientist who moves his family from Brooklyn to the quirky town of Bridge Hollow. His daughter Syd (Priah Ferguson) is immediately drawn to the town’s Halloween obsession, while Howard dismisses it as frivolous nonsense. When Syd accidentally unleashes Stingy Jack—a vengeful spirit who brings Halloween decorations to life—the reluctant father-daughter duo must team up to stop the supernatural chaos before midnight. The premise is a promising blend of family drama and supernatural horror-comedy, but The Curse of Bridge Hollow never fully realizes its potential.

Where the film succeeds is in its practical effects and visual gags. The designs of Stingy Jack’s minions—particularly the jack-o’-lanterns with jagged grins and the patchwork scarecrows—are creatively unsettling, standing out against the over-reliance on digital animation. These moments are punctuated by Wayans’ physical comedy, which occasionally lands, such as when Howard is chased through a graveyard by an army of possessed skeletons. The chase scene, though brief, benefits from Wayans’ expressive reactions and the film’s use of practical props, creating a moment that feels genuinely fun.

Priah Ferguson, best known for her role in Stranger Things, brings a grounded energy to Syd, anchoring the film with a performance that feels authentic. Her chemistry with Wayans is the emotional core of the story, even if their dynamic is underdeveloped. Kelly Rowland, as Howard’s wife Emily, has less to work with, reduced to a one-note character whose arc—from health-conscious mom to free-spirited baker—lacks depth. The script, co-written by Todd Berger and Robert Rugan, struggles to balance its themes of family bonding with the supernatural chaos, resulting in uneven pacing and underdeveloped subplots.

One of the film’s biggest missteps is its tone. The Curse of Bridge Hollow wants to be a Halloween-themed Gremlins—equal parts spooky and silly—but it never finds the right balance. Horror fans will find the scares too tame, while comedy lovers may cringe at the stiff delivery of jokes like Howard’s “I hate Halloween” one-liners. Even the climactic showdown in the town square feels rushed, relying on quick cuts and loud noises to mask the lack of genuine stakes.

Wadlow’s direction is another weak point. The film lurches from one set piece to another without much cohesion, leaving subplots—like Syd’s integration into her new school or Howard’s professional struggles—underdeveloped. The pacing issues are particularly evident in the second act, where the story stalls as it introduces new characters and supernatural rules. The Paranormal Society, a group of teens who help Syd and Howard, is introduced late and given little time to develop, making their contributions feel tacked on.

The film’s themes of family bonding and embracing change are heartwarming but surface-level. The resolution—Howard becoming more accepting of Halloween, Syd joining the Paranormal Society, and Emily baking treats that are not gluten-free or sugar-free—feels rushed and unsatisfying. The emotional beats are undercut by the film’s commitment to cheap thrills over genuine character development.

Comparisons to other Halloween-themed films are inevitable. The Curse of Bridge Hollow lacks the charm of Hocus Pocus or the clever humor of Trick ‘r Treat. It also pales in comparison to recent horror-comedies like Freaky (2020), which balanced scares and laughs with far greater success. Even within Netflix’s own catalog, films like Hubie Halloween (2020) offer a more cohesive blend of humor and horror.

The film’s reception has been mixed, with Rotten Tomatoes giving it an approval rating of 46% based on 26 reviews. Critics have noted the film’s low effort, wooden dialogue, and stiff acting.

The Curse of Bridge Hollow is ultimately a forgettable Halloween diversion—one that might entertain kids or casual viewers but fails to leave a lasting impression. It’s a film that aims for broad appeal but ends up pleasing no one. For horror fans, the scares are too tame; for comedy lovers, the jokes fall flat.

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Photos: The Movie Database (TMDB)

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