Movies

The Burning Sea: A visually stunning but shallow disaster thriller

Martin Cid Magazine

The oil platform tilts violently against the stormy Norwegian coast, flames licking at its skeletal remains. This is the apocalyptic opening of The Burning Sea, John Andreas Andersen’s 2021 disaster thriller that takes the environmental catastrophe genre and grounds it in a very specific place and time.

At its core, The Burning Sea is an unrelenting disaster drama about an oil platform collapse off the Norwegian coast. Stian (Henrik Bjelland), a rig worker, finds himself at the center of a catastrophic event that escalates into something far more sinister. Alongside a makeshift team of scientists, politicians, and oil rig workers, he races against time to prevent a seismic disaster that could engulf hundreds more platforms.

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The film’s strengths lie in its visceral action sequences and impressive CGI mayhem. The opening platform collapse is a standout moment, expertly crafted with tangible tension and devastating consequences. The practical effects blend seamlessly with computer-generated imagery, creating a sense of immediacy that pulls the viewer into the chaos. The sound design amplifies this, with the roar of flames and the groaning metal of the rig adding to the film’s immersive quality.

However, The Burning Sea stumbles in its pacing and character development. While the disaster elements are compelling, the film struggles to maintain high-stakes conflict beyond the initial catastrophe. The characters, though well-acted—particularly Bjelland as Stian—lack depth, often serving as cogs in a larger machine rather than fully realized individuals. Kristine Kujath Thorp’s Sofia and Anders Baasmo Christiansen’s Ronny bring gravitas to their roles, but their arcs feel rushed, overshadowed by the film’s relentless focus on disaster.

The film’s themes of sacrifice, heroism, and survival are woven throughout, but they often get lost in the shuffle. The Burning Sea aims to be more than just a disaster movie; it aspires to be a commentary on environmental responsibility and human resilience. Yet, these themes are not explored with the nuance they deserve. The film’s rushed pacing leaves little room for introspection or emotional depth, resulting in a narrative that feels more like a series of set pieces than a cohesive story.

Andersen’s direction is competent, but it lacks the distinctive flair that could elevate The Burning Sea above other disaster films. The cinematography is functional, with sweeping shots of the Norwegian coast and the oil platforms providing a stark backdrop for the unfolding catastrophe. However, the film’s visual style is often overshadowed by its reliance on CGI spectacle.

In the end, The Burning Sea is a decent disaster drama that delivers on action but falters in storytelling and character development.

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