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Saltburn: A Glamorous Descent into Moral Decay

Alice Lange
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The opening shot of Saltburn (2023) lingers on a decaying stone angel, its wings cracked, eyes hollow—an apt metaphor for director Emerald Fennell’s twisted fairy tale. This British-American dark comedy thriller, written and directed by Fennell, stars Barry Keoghan as Oliver Quick, a scholarship student at Oxford University who becomes infatuated with the wealthy Felix Catton (Jacob Elordi). The film is a grotesque, candy-colored nightmare that uses its lush aesthetic to mask its rotten core.

Set in 2006, Saltburn follows Oliver as he navigates the treacherous waters of upper-class society. Keoghan’s performance is a standout, capturing Oliver’s desperation and unraveling psyche with chilling precision. His scenes are charged with an unsettling intensity, particularly when he lustfully drinks Felix’s bathwater—a moment that is as disturbing as it is darkly comedic. Fennell’s direction is bold, using vivid cinematography and a lush score to create a surreal atmosphere that contrasts sharply with the film’s darker themes.

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The production design of Saltburn estate is another highlight, transforming the sprawling country house into a character unto itself. The opulence of the setting serves as a stark contrast to the moral decay lurking beneath its surface. Rosamund Pike delivers a memorable performance as Elspeth Catton, Felix’s mother, exuding an eerie charm that makes her both captivating and unsettling.

The film’s exploration of class and obsession is a central theme that drives its narrative forward. Oliver’s fixation on Felix and his family is fueled by a deep-seated desire to escape his own humble origins and ascend the social ladder. This theme is particularly relevant in today’s society, where issues of class and privilege continue to be hotly debated.

However, Saltburn is not without its flaws. The film’s pacing can feel uneven at times, with certain scenes dragging while others rush by. Additionally, the film’s surrealism occasionally borders on self-indulgence, making it difficult to fully grasp its intended message. While the performances are strong, some of the supporting characters, such as Farleigh (Archie Madekwe), feel underdeveloped and serve more as plot devices than fully realized individuals.

The film’s climax, set during an extravagant birthday party for Oliver, is a chaotic fever dream that brings all the film’s themes to a head. The hedge maze where Felix meets his fate is a particularly striking visual, symbolizing the labyrinthine nature of Oliver’s obsession and the destructive path it has led him down.

Saltburn is a film that demands attention, even if it doesn’t always hold it. Fennell’s ambitious vision results in a movie that is as visually stunning as it is narratively messy. The film’s exploration of class and obsession is timely and thought-provoking, but its uneven pacing and occasional self-indulgence prevent it from reaching its full potential.

In comparison to other films in the same genre, Saltburn stands out for its bold direction and striking visuals. However, it lacks the narrative cohesion and character development of similar films like The Talented Mr. Ripley. That being said, Saltburn is a film that will leave a lasting impression on viewers, if only for its sheer audacity.

Saltburn is not a film for the faint of heart. Its R-rated content and disturbing themes make it a challenging watch, but one that is ultimately rewarding for those who stick with it. The film’s exploration of class and obsession is timely and thought-provoking, and its striking visuals and strong performances make it a standout in the dark comedy thriller genre.

Saltburn is a film that will be best appreciated by viewers who enjoy films that push the boundaries of conventional storytelling. Its surrealism and disturbing themes may not be for everyone, but those who are willing to take the plunge will be rewarded with a cinematic experience that is as visually stunning as it is thought-provoking.

Saltburn is a film that demands attention, even if it doesn’t always hold it. Fennell’s ambitious vision results in a movie that is as visually stunning as it is narratively messy. The film’s exploration of class and obsession is timely and thought-provoking, but its uneven pacing and occasional self-indulgence prevent it from reaching its full potential.

In the end, Saltburn is a film that will leave a lasting impression on viewers, if only for its sheer audacity. Its striking visuals, strong performances, and bold direction make it a standout in the dark comedy thriller genre, even if its narrative flaws prevent it from reaching its full potential.

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Photos: The Movie Database (TMDB)

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