Movies

M3GAN 2.0: Overstuffed sequel loses its horror-comedy edge

Molly Se-kyung

The opening scene of M3GAN 2.0 — a botched execution near the Turkish/Iranian border — sets an abrupt, action-heavy tone that feels wildly disconnected from the horror-comedy charm of its predecessor. Director Gerard Johnstone’s sequel ditches the unsettling eeriness of the first film for a bloated, formulaic sci-fi thriller, and the shift is jarring.

What works? The film’s central premise — an AI arms race between Gemma’s (Allison Williams) rebuilt M3GAN and the military-grade Amelia — has potential. The action sequences are competently staged, particularly the underground bunker showdown where M3GAN (Amie Donald/Jenna Davis) showcases her upgrades with fluid, kinetic choreography. Jenna Davis’ voice work remains a highlight, lending M3GAN an eerie, childlike malice that occasionally cuts through the film’s clunky dialogue.

But M3GAN 2.0 stumbles badly in its execution. The humor feels forced and out of place, with poorly written jokes falling flat where the first film’s dark wit succeeded. The romantic subplot between Gemma and Christian (Aristotle Athari) is contrived, adding unnecessary baggage to an already crowded narrative. Worse, the film’s attempt to pivot into a Terminator-style AI takeover thriller lacks cohesion. The pacing stalls under weighty exposition dumps about rogue AIs and cloud computing mergers, while the emotional core — Cady (Violet McGraw) reconnecting with M3GAN — gets buried in the action.

The film’s thematic critique of AI and human dominance is interesting on paper, but it’s muddled by a tonally inconsistent script. The soundtrack’s use of the Knight Rider theme during M3GAN’s reveal feels like a cheap gimmick rather than a meaningful callback.

In the end, M3GAN 2.0 fails to justify its existence beyond fan service and franchise obligations.

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