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Elemental: A Flicker of Pixar’s Past Glory

Molly Se-kyung
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The opening shot of “Elemental” lingers on Ember’s flickering flames, a visual metaphor that promises more than it delivers. Directed by Peter Sohn, this Pixar film sets its story in Element City, where anthropomorphic personifications of fire, water, land, and air coexist. Ember (Leah Lewis), a fiery young woman working at her family’s center, meets Wade (Mamoudou Athie), a laid-back water element, sparking a romance that forms the film’s core.

At its best, “Elemental” captures the charm of classic Pixar storytelling. The world-building is inventive, with each elemental type designed to reflect their natural properties—Wade’s fluid movements contrasting Ember’s sharp angles. Lewis shines as Ember, particularly in scenes where her fiery temperament clashes with the mundane expectations of her job, a dynamic that grounds the film’s emotional core. Athie brings an easygoing warmth to Wade, making their chemistry palpable.

https://www.youtube.com/watch?v=hXzcyx9V0xwhttps

However, “Elemental” stumbles in its execution. The visual style, while colorful, feels less innovative than Pixar’s past offerings. The cityscape, though bustling with detail, lacks the distinctive flair seen in films like “Coco” or “Soul.” The narrative structure is predictable, leaning heavily on the tried-and-true formula of opposites attracting. This familiarity is compounded by a script that often prioritizes broad humor over subtlety, with moments like Gale’s (Wendi McLendon-Covey) air-headed antics falling flat.

The film’s attempt to explore deeper themes—such as the pressure of living up to familial expectations—is admirable but underdeveloped. Ember’s struggle with her family’s legacy is introduced but not fully fleshed out, leaving emotional beats feeling rushed. The supporting cast, including Catherine O’Hara as Brook and Ronnie del Carmen as Bernie, adds depth but is sidelined by the focus on the central romance.

“Elemental” ultimately suffers from a lack of originality that plagues many recent Pixar efforts. It’s a competent, if unremarkable, addition to the studio’s catalog. The film’s heart is in the right place, but it fails to ignite the spark of innovation that defines Pixar at its best.

Lewis’s performance as Ember is the film’s standout element. Her portrayal of a young woman torn between her fiery passion and the constraints of her family’s expectations is nuanced and relatable. Lewis brings a depth to Ember that elevates the character beyond the typical animated rom-com lead. Athie, too, delivers a charming performance as Wade, his easygoing demeanor providing a perfect counterbalance to Ember’s intensity.

The film’s direction by Peter Sohn is solid but unremarkable. Sohn, known for his work on “The Good Dinosaur,” brings a steady hand to the helm, ensuring that the animation is smooth and the pacing consistent. However, he lacks the distinctive visual flair that separates Pixar’s best directors from the rest. The film’s animation, while technically proficient, often feels generic, failing to capture the unique aesthetic that defines Pixar’s most memorable films.

“Elemental” is a family-friendly rom-com that will appeal primarily to younger audiences and dedicated Pixar fans. Its themes of love, acceptance, and the challenges of growing up are universal, making it accessible to viewers of all ages. However, those looking for a more sophisticated or original animated experience may find “Elemental” disappointing.

The film’s soundtrack, composed by Thomas Newman, is one of its strongest elements. Newman’s score effectively captures the emotional highs and lows of the story, enhancing the film’s romantic moments with a sweeping, cinematic quality. The music serves as a powerful accompaniment to the on-screen action, elevating even the film’s more mundane scenes.

“Elemental” is not without its moments of brilliance. The scene where Ember and Wade first meet is a standout, capturing the spark of their attraction with a playful energy that sets the tone for their relationship. Similarly, the film’s climax, in which Ember must confront her fears and embrace her true self, is emotionally resonant and well-executed.

However, these high points are undermined by the film’s reliance on familiar tropes and clichés. The story of a fiery young woman falling for a laid-back water element has been told countless times before, and “Elemental” fails to bring anything new to the table. The film’s predictable plot twists and formulaic structure make it feel more like a retread of past successes than a fresh, innovative take on the genre.

In the end, “Elemental” is a pleasant but forgettable addition to Pixar’s impressive catalog. It lacks the originality and visual flair that define the studio’s best work, but it makes up for these shortcomings with strong performances and a heartfelt story.

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Photos: The Movie Database (TMDB)

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