Name: Christmas with the Campbells
Genre: Comedy, Romance
Released: 2022-12-02T00:00:00+00:00
Cast: Brittany Snow, Justin Long, Alex Moffat, Julia Duffy, George Wendt

The scene where Jesse (Brittany Snow) stands alone under the twinkling Christmas lights after being unceremoniously dumped by her boyfriend Shawn (Alex Moffat) is a moment that encapsulates the tonal balancing act at the heart of “Christmas with the Campbells.” Directed by Clare Niederpruem and written by Barbara Kymlicka, Dan Lagana, and Vince Vaughn, this 2022 romantic comedy aims to be a raunchy antidote to the saccharine holiday romances that dominate the season. The result is a film that oscillates between heartfelt charm and crass humor, making it a curious entry in the genre.

From the outset, “Christmas with the Campbells” sets itself apart from traditional holiday fare. The opening scene, where Shawn breaks up with Jesse during their visit to a Christmas light display, immediately signals the film’s intent to subvert expectations. This moment also introduces one of the film’s central themes: the clash between personal aspirations and the messy realities of relationships. Jesse’s initial heartbreak is palpable, but the film quickly pivots into comedic territory as she finds herself thrust into the chaotic world of Shawn’s family.

The Campbell family, led by Liz (Julia Duffy) and Robert (George Wendt), is a delightful ensemble of eccentric characters. Wendt, in his final theatrical role before passing away in 2025, brings a grounded warmth to the character of Robert. His performance is a standout, providing a much-needed emotional anchor amidst the film’s more outlandish moments. Duffy, too, shines as Liz, embodying the supportive yet meddling mother archetype with a perfect blend of humor and heart.

The dynamic between Jesse and David (Justin Long), Shawn’s handsome cousin, is another highlight of the film. Their chemistry is palpable, particularly in scenes where they bond over shared experiences and adventures. The Wishing Tree subplot, a charming and whimsical touch, adds a layer of magic to their relationship. The snowy clearing where Jesse and David discover the tree is beautifully shot, capturing a sense of wonder and nostalgia that resonates with the film’s holiday setting.

However, “Christmas with the Campbells” is not without its flaws. The pacing occasionally feels uneven, particularly when Shawn unexpectedly shows up, disrupting the momentum built between Jesse and David. This narrative choice leads to moments that drag or feel overly convoluted, detracting from the film’s overall cohesion. Additionally, the film’s attempt to balance romantic tension with comedic chaos sometimes results in a tonal whiplash that can be jarring.

The performances are generally solid, with Snow delivering a likable and relatable lead. Her portrayal of Jesse captures the character’s vulnerability and resilience, making her a compelling protagonist. Long brings his usual charm to the role of David, though his character occasionally feels underdeveloped. Moffat’s Shawn is serviceable but lacks the depth to make his sudden change of heart entirely convincing.

Originality is where the film truly shines. Its raunchy take on holiday romances offers a fresh perspective within the genre, blending humor and heart in a way that feels both nostalgic and modern. The film’s satire of traditional Christmas movies is evident in its over-the-top family dynamics and playful subversion of romantic tropes. This approach makes “Christmas with the Campbells” a unique offering, particularly for audiences who enjoy a more irreverent take on holiday classics.

In terms of genre fit, “Christmas with the Campbells” straddles the line between comedy and romance. Its comedic elements are amplified by the chaotic dynamics of the Campbell family, while its romantic core is rooted in the evolving relationship between Jesse and David. This duality makes the film a compelling watch for fans of both genres, though it may not fully satisfy purists on either side.

The film’s production background is noteworthy, as it was pitched to Niederpruem by producers Vince Vaughn and Peter Billingsley with the intent to create an “R-Rated” Christmas romantic comedy. This ambition is evident in the film’s tone and content, which push the boundaries of traditional holiday movies. The result is a film that feels both familiar and fresh, offering a unique twist on a well-worn genre.

In conclusion, “Christmas with the Campbells” delivers an enjoyable, if uneven, holiday romp. Its strengths lie in its originality, strong performances, and charming moments of whimsy. However, its pacing issues and tonal inconsistencies prevent it from fully realizing its potential.