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Spain’s sharpest roots voices descend on Luarca for a free weekend of blues with real pedigree

Alice Lange

Five editions in, the Festival de Blues de Asturias has done something small Spanish music festivals rarely manage: it has built a reputation without losing its free-entry, community-first character. Luarca — a fishing port on the Cantabrian coast that the Atlantic has battered for centuries — is an unlikely home for the best gathering of roots musicians on the Iberian peninsula, and that incongruity is precisely the point.

This year’s draw opens with Anna Dukke, the La Mancha vocalist whose debut full-length Reborn Wild arrived late last year — recorded in Mexico City at Primitive Studios under producer Crunchy — and has spent much of 2026 on tour confirming what the underground circuit suspected: she is the most compelling new voice in Spanish blues-rock. Her set here is the album’s live argument. Behind her on the bill comes Quique Gómez, the Madrid harmonica player who has built fifteen records and a curriculum that runs alongside Little Charlie Baty and Duke Robillard — names that carry weight on both sides of the Atlantic. Gómez is not a footnote act on any lineup; putting him second is a kind of understatement the festival wears well.

Muelle del puerto de Luarca, escenario del Festival de Blues de Asturias
Luarca, Asturias — Wolffoxylady / Wikimedia Commons (CC BY-SA 4.0)

The rest of the bill fills out the picture. Los Gumbo — the Canary Islands duo of Alberto Gulias and Reinaldo Rivero, sixteen years deep into an uncompromising devotion to American roots music — bring a format (electric and organic, no prerecorded tracks) that has carried them to Texas stages and back. Barcelona’s Rambalaya, built around Jonathan Herrero’s voice, arrives with the string arrangements and celestial backing vocals of Plays for the Brokenhearted, a record that treats soul and rhythm and blues as a living tradition, not a revival exercise. The local and regional picture rounds out with Bindy Bazaar (crossing soul, funk, rock and country without ceremony), Blackboard Blues Band’s stripped-down authority, the intimate guitar-and-harmonica duo of Sil Fernández and Álvaro Bárcena, and Sr. Mo — the Asturian one-man band who builds his instruments from recycled everyday objects.

Plaza Alfonso X el Sabio sits in the centre of Luarca’s old town, a short walk from the harbour that gives this village its postcard silhouette: white walls rising above the Cantabrian tidal basin, fishing boats in port, the lighthouse watching from the cliff. The concejo’s restaurants and tabernas are planning a blues-and-Southern menu to run alongside the three evenings. Accommodation in the village is limited — the festival recommends booking early.

The V Festival de Blues de Asturias runs October 10–12 in Luarca’s Plaza Alfonso X el Sabio. Admission is free.

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